How to Style Up a Reception Area with the Best Furniture

The design of an area is the attractive feature it has for the visitors. The reception is meant to be the first point for welcoming any guest and thus they analyze the appearance of the firm using this small area. This is a waiting area that is supposed to say great things about a firm and consequently it is crucial for one to put a great deal of thought into its design.

The first thing one ought to put into consideration while designing this area is comfort. The customers or guests need to feel comfortable and welcomed while waiting to be served or received. This calls for the installation of the best seats possible. Some entertainment may come in handy too. A flat screen television or a soft sounded music system is very welcoming. People will not mind to be a bit more patient when they are in a quality and comfortable environment. It is imperative for one to check on the content from this entertainment units. In most cases, connecting to a business or news channel shows that the company is serious in its undertakings and is up-to-date with current states of affair or technology.

Sometimes it is important to have magazines which are in line with the firm’s business affairs and some entertaining ones such as comic books may be included for children especially when the business deals with children affairs for example a children hospital or an education center. This makes the waiting more comfortable since every client is catered for.

The longer the waiting time, the more the comfort is required. This calls for the seats to be of the best quality and not cause some strains after a couple of minutes in waiting. Uncomfortable setting only increases the anxiety and visitors will keep on checking on the clocks and counting the time they have been kept waiting.

The furniture should not cause congestion or be claustrophobic. Enough space should be allowed unless the situation calls for one to utilize the limited space. In such scenarios, the sitting arrangement without any tables can be utilized to create a bigger room feeling.

The choice of furniture that one makes ought to co-ordinate with the colour on the walls, the pattern or colour of the ceiling; the design and style on the floor and the artworks for the wall hangings. Discomfort may arise only because of uncoordinated furniture as per the wall hangings or the design of the floor. It is important for one to view everything together before making the final decision to purchase the furniture. It is equally wise for one to consider that universal piece of item that seems to work with everything else for the reception. Having it helps one to make quick and better decisions over other items such as curtains, blinds, paints or the wall hanging arts to be purchased.

The seats must be functional, durable, comfortable and more so versatile. This is multipurpose area and the furniture must fall in line with all possible situations. Good reception furniture should be easy to move for any quick kind of arrangement. Emergency furniture should be kept on stand-by for needy times. The furniture that is able to meet majority of these needs is the one that creates more options for space but still provide the same quality standards and styles that are required.

It is a good practice to consult the designers, specialists or furniture professionals since they sometime can assist in molding or improving on ones ideas. It is an excellent time and money saving way of getting the best styles, designs or arrangements for the reception. In some instances, one may need to hire the designer to fully set up the area. On the other hand, for a person who is stuck to their ideas, there is a vital advise, guidance or suggestion to utilize. While hiring an expert, one would need to look for their line of business or pick one who specializes in designing of business receptions. This can be the most reputable designer or one who may have designed an area that one admired in the past.

Lastly, before putting the paint onto the wall, it is important for one to ask for some opinions. References and portfolios are what identifies and uniquely indicates ones transactions. A second and third opinion on furniture, layout, color, and the whole combination of items in the room provides the general over-view of potential clientele.

This is an area that is most vital since it catches the eye of a client and is the key promoter to the business. This area must be inviting and visually pleasing. The opinions help one to find out how the design would be received and what kind of feelings it would create. The opinion helps one to shape their decisions, make necessary improvements or any special details that may have been missed out.

Not all opinions will be positive but at least they will bring out the general over-view from different points of views. The reception is an important point for wowing potential clientèle, therefore it should be furnished with the most elegant, comfortable, modern and tasteful furniture so as to bring out the attracting perception of the business.

Fenton Art Glass Unique in Character and Design

Fenton Art Glass inspires beauty and craftsmanship in the arts and crafts industry. With elaborate color combinations, creative design, and valuable materials, Fenton has been able to revolutionize the world of art glass.

Unique Qualities

Fenton art glass is made using a creative technique that involves sand, chemicals and precious metals. The unique process incorporates sand, ash, lime, soda, and various chemicals to modify the color or characteristics of the glass. After the initial chemical combination is complete, the mixture of sand and chemicals is inserted into a 2500 degree furnace, and red hot molten glass is created. After this, a blocker shapes the glass and blows a bubble of air through a pipe into the molten glass. Then, a blower manipulates the glass into shape and places it into a mold by blowing into it. Finally, another worker takes the freshly pressed glass from the mold and reheats it so the final adjustments to the design can be made. What makes Fenton art glass so unique is the creative choice of metals and elements that are introduced into the mixture including: gold, silver, and even bone ash.

Unique Characteristics

Fenton uses some unique principles to create elaborate pieces of art glass. One of those techniques that results in art glass with a creative and artistic characteristic is hand swinging. A glass handler takes the molten glass and twirls it on the end of the pipe like a baton. Then, the handler uses centrifugal force to stretch the glass into a misshapen and totally unique design.

Another unique Fenton art glass technique uses a mold that has an embedded pattern which is transferred to the glass. After reheating the patterned glass, the glass is then blown into a second mold that is plain without a pattern. Due to temperature variations including chilling and reheating, the patterns can become opaque while the primary glass features remain clear. In addition, a skilled craftsman can spin a thin ring of different colored molten glass and attach it to the edge of the original art glass piece. After the glass begins to cool, a special tool can be used to crimp the outer edge of the unique masterpiece. Even though Fenton mass produces their art glass, each piece has been crafted by a single individual who shapes and designs the glass with unique characteristics.

Unique Samples

Fenton art glass has a design and artistic flavor all its own. Some unique samples of this form of art glass include: opaline (partially opaque but still translucent), opaque (looks opaque but still transmits light), and favrene (metallic swirls in primarily blue or green tones). These glamorous samples of art glass can also be hand painted by famous artists and artisans. These are truly one of a kind masterpieces.

How to Make a Repeating Tiled Pattern

Start with at least 2 copies of your original artwork. You may want a couple extra copies in case you mess one up. One will be an exact size copy and the other will be reduced to fit inside of that copy once that page has been quartered and moved into position. You need to measure the white space around your original piece of art to determine the reduction of the second copy. You may need other embellishments to fill in this white space if you so desire once you get to that stage in the procedure. Go to your nearest copy center and have copies made of your original artwork so you don’t destroy it. Everything must be centered before starting the project, so make sure that you have even white space around your artwork.

For example, if you have an inch of white space on the top and bottom you will want an inch of white space on the left and right sides. Below is a quick step diagram of what you will be doing in this procedure.

You will need a ruler, pencil, removable tape, double stick tape, and some kind of cutting device preferably a sharp blade that will cut without destroying the edges. Crisp clean edges are what we are after. Make sure to measure your white space and figure out your reduction size of the second copy. It will most likely be around or under 50% of the original size. You can fill in the white space that is left with hand drawn art, embellishments or clip art. Just don’t let any copy go off the edges except for the master art in the corners. You can also do all of this on a computer if you have the right software. It is so much more accurate in a design program.

Using this piece of art as an example of original artwork. Notice that there is quite a bit of white space around the four sides. Measure the distance of white space around your artwork and figure the reduction you will need for the second copy. Here is an example of how to figure out your reduction. If your white space total area is 2 inches total and your original piece of art to be reduced is 5 inches, you can use a calculator to figure out the reduction. So enter 2 divided by 5 into your calculator, your answer should be .4 or 40% of the original size.

After you get your two copies made, make sure that the artwork on the same size copy is perfectly centered before you start the project. You can do this easily with a ruler and a pencil, just don’t mark on your copies in a way that can’t be removed or covered up easily. You may have to trim off some of the paper on one of the sides to ensure that everything is centered. The image cannot go up to or over the edge of the sheet. There must be white space around all four sides, it should be even white space left to right and top to bottom. The image must be perfectly centered top to bottom and left to right.

Now that you are sure the image is centered you can begin the procedure to create your repeating tile. Print out page 1 and page 11 of this document to help you visually see where you are going with this project. It is so simple to create a repeating tile of any piece of art as long as you follow these directions. Take the same size copy, and with four small pieces of removable tape, mark the letters A, B, C, and D on the tape. Now put those pieces of removable tape on the corresponding areas of the same size copy outside of the image area, in the white space available like the diagram below. This is so you know where the tiles come from once you cut them into quarters.

After you have the copy marked, cut the copy in half vertically and horizontally, perfectly through the centers. This is not as easy as it sounds. Try taping the copy to the cutting board in the four corners and the sides, so it doesn’t move after the first cut. Use removable tape for this so you don’t destroy your copy. Do not trim any paper from these quartered pieces. Now look at the instructions on page 11 of this document and place the four tiles into position according to the diagram on page 11, butt the pieces together and tape them to hold them into place. You should have an image in all four corners with white space now in the middle and image right out to the edges in the corners.

Your copy should look like this now with the four pieces of artwork moved into place and taped to hold them in place. Once you get this done you are finished with this piece for the moment. Set aside and go to the reduced copy.

Take the reduced copy and trim it as close to the edge of the artwork as you can. With a pencil lightly mark the vertical and horizontal centers of the image so you can place it perfectly centered onto the first copy. Once you have the image trimmed out and a light pencil mark denoting the centers, you can place it perfectly centered onto the first copy and secure with some double sided tape. Remove the marks once you have the image centered.

You can erase the pencil mark lightly with an eraser or use some liquid white out to cover the marks.

You should now have a piece of art that is setup like this template. Make sure all of the center marks have been covered and that the artwork in the center has been secured with double sided tape.

If you have too much white space inside your template, now is the time to draw in or place some new stuff to fill it in. Just don’t put anything out to the edges of the sheet.

I have placed some other items on this sheet to indicate filling in the white space. Your design will be different, but the same method applies.

Once you have your design finished take it to a copy center and have a master pattern created. This will clean up the art and give you a one piece master that is not layered with loose copies. Make sure to have

The master copy made on a piece of copy paper big enough so that the image goes to the edges. You can also scan the art into your computer.

This method of making a repeating pattern can be used for many different applications.

You can create a pattern for a border around your room with simple geometric shapes or abstract designs. You can use this method in quilting to create custom repeating squares in different colors that will line up perfectly on your quilt design. You can use the method in a smaller format and create awesome borders on your computer designs. Make custom borders for scrapbooking using just about any artwork, picture or graphic you can find. The sizes can vary as long as you use the formula in this booklet to create the pattern.

The uses are only limited to your imagination.

Note: You can fill in the white area that is left after your finished tile is created. But do not draw to the edges of the finished tile page.

Quick and Easy Decorated Valentine Cupcakes

Whether it’s for a class party, your coworkers or that special someone, nothing shows you care like homemade cupcakes. The amount of time and effort it takes to embellish them will surprise you and the effect will astound your recipient.

You will need the following items:

  • 1 box of your favorite chocolate cake mix
  • 1 can of chocolate frosting
  • 2 tbsp vanilla frosting
  • ½ cup chocolate jimmies (long sprinkles)
  • 3 tbsp red, white and pink jimmies
  • 1 cup dark chocolate frosting
  • 4 marshmallows
  • Assorted Valentine candies (Sweethearts, Valentine candy corn, holiday M&Ms, Red dots – anything you can find)

Prepare the cupcakes according to the directions on the package and allow to cool. Meanwhile, set up your decorating supplies. Spoon 2 tablespoons each of the chocolate and vanilla frostings into separate small ziplock bags, press the air out and seal. Place the jimmies in separate shallow bowls

Spread the remaining chocolate frosting (not the dark chocolate) on ten or twelve of your cupcakes. Roll the edges of the cupcakes in the desired sprinkles. Set these aside for now.

Next, spoon the dark chocolate frosting into a 1-cup glass measure. Microwave, stirring frequently, until the frosting has the consistency of lightly whipped cream, 10 to 15 seconds. Hold a cupcake by its paper bottom and dip the entire top, up to the edge of the paper liner, into the melted frosting. Lift the cupcake straight p and hold to allow the excess frosting to drip off. Roll the edges in the sprinkles, if desired. Repeat with remaining cupcakes. Set aside.

Line a cookie sheet with wax paper. Cut 2 of the marshmallows in half vertically and the other 2 in half horizontally. Using a fork, dip each piece of marshmallow into the remaining dark chocolate frosting to cover. You may need to reheat and stir the frosting to maintain the dipping consistency. Transfer the coated marshmallows to the cookie sheet and place in the refrigerator for about 10 minutes until the chocolate has set.

Slip a spatula or butter knife under the marshmallows to loosen from the wax paper. Transfer the marshmallows to the top of the chocolate-frosted cupcakes, placing the cut side down. Snip a 1/16-inch corner in the bags containing the frosting. Pipe swirls or zigzags on top of the marshmallows with the desired frosting. Decorate the remaining cupcakes with your candies.

Transfer finished cupcakes to a serving plate. For a unique presentation, use a heart-shaped platter or box. Fill the spaces between the cupcakes with small candies such as M&M’s.